My name is Hannah Battershell and I am a self-taught artist living and working in Bristol. My work is driven by a fascination for materials and a love of storytelling. The pieces I make include intricately layered paper collages, detailed cyanotype prints, and miniature paintings, amongst other things. They often depict dreamlike spaces, filled with a strong sense of atmosphere and narrative. The abiding mood is playful strangeness. I like to create pieces that ask the viewer to come and peer into another world up-close.
My career highlights so far have included featuring in the Royal Academy Summer Exhibition on multiple occasions, speaking about my work at University College London in a festival celebrating Fairy Tales, and collaborating with a scientist at ZSL, Institute of Zoology.
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Lots of artists are now part of The Art Post collective. We will try to find an artist who is best suited for your project or commission. If you know who you would like to commission, feel free to specify the artists' name in the form.
We're asking artists to choose one notable person, place and object that has inspired them in their journey so far. We're mapping inspiration at a scale never attempted before
I am influenced by a lot of different art but someone I remember being exposed to from an early age is Pieter Bruegel the Elder (ca. 1525–1569 the Flemish Renaissance painter and printmaker known for his atmospheric landscapes, peasant scenes and mysterious religious and allegorical paintings. I remember looking at his work and thinking, ‘art is magic.’
My grandparents lived in Llantrisant in Wales and I think visiting this place from a young age had a profound effect on me and my aesthetic. Their garden was full of frogs and flowers and I spent a lot of time out there looking closely at all the small growing things. The journey to their house was full of strange and beautiful landmarks: a fairytale castle popping up through the trees and a statue in the centre of the town of a druid holding a flaming torch and a crescent moon. To my child’s eyes it was a place where things from stories existed in normal, everyday life.
It has to be a book, probably the Quangle Wangle’s Hat by Edward Lear, illustrated by Helen Oxenbury.
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